Are females more psycho? At least the books that I am reading these days are making me think so. Sharp Objects was scary in more aspects as compared to the other books by Gillian Flynn, i.e. Gone Girl and Dark Places. This one deals with depression like neither did and so about the craziness to hurt – yourself, others, anyone.
Sharp Objects as the name of the book suggests the cuts and the words that the main protagonist of the story, Camille Preaker carves on herself when she feels different. So, tell me are you a female? Did you feel crazy at some point in your life? Did you feel the need to do such cut/carve on yourself? Not even once? Sach mei (truly)? Okay, confession time: I am a typical female and have felt multiple times such a need, and even in the past one month too. But let us not make this review of a psycho book – about “me”, just read it, because you must, if you like this genre even a tiny-weeny bit. I am not saying anything more about this book since I feel I will divulge the climax of the story, oops, perhaps just by mistake.
Two of my favorite quotes from the book:
Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.
They always call depression the blues, but I would have been happy to waken to a periwinkle outlook. Depression to me is urine yellow, washed out, exhausted miles of weak piss.
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Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family’s Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.
About the author:
Flynn’s 2006 debut novel, the literary mystery Sharp Objects, was an Edgar Award finalist and the winner of two of Britain’s Dagger Awards—the first book ever to win multiple Daggers in one year. The book is now an HBO® limited series starring Amy Adams.
Flynn’s second novel, the 2009 New York Times bestseller Dark Places, was a New Yorker Reviewers’ Favorite, Weekend TODAY Top Summer Read, Publishers Weekly Best Book of 2009, and Chicago Tribune Favorite Fiction choice. In 2015, the movie adaptation starring Charlize Theron was released.
Flynn’s third novel, Gone Girl, was an international sensation and a runaway hit that has spent more than one hundred weeks on the New York Times bestseller lists. Gone Girl was named one of the best books of the year by People Magazine and Janet Maslin at the New York Times. Nominated for both the Edgar Award and the Anthony Award for Best Novel, Flynn wrote the screenplay for David Fincher’s 2014 adaptation of Gone Girl for the big screen, starring Ben Affleck and Rosamund Pike.
Her newest release, The Grownup, is an Edgar Award-winning short story and an homage to the classic ghost story. Universal has optioned the rights to The Grownup.
Flynn, who lives in Chicago, grew up in Kansas City, Missouri. She graduated at the University of Kansas, and qualified for a Master’s degree from Northwestern University.
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